The Nutshell Catch and the Point of No Return

Ciao, SEers. We’ve been talking about Jill Chamberlain’s Nutshell method of plotting as it relates to Aristotelian comedies and tragedies. Last time, we discussed the protagonist with respect to flaws and strengths. (You can find the introductory post here, and the protagonist post here.) Today, we’re going to talk about the catch. But just as … Continue reading The Nutshell Catch and the Point of No Return